Peter Martin Christopherson
27th February 1955 - 25th November 2010
Peter Christopherson, affectionately known as Sleazy, died peacefully in his sleep on the
24th of November at his home in Bangkok, Thailand.
The music and art world has lost a great talent whose unique approach ignored the
conventions of the day and often challenged the status quo.
Sleazy’s playful and inspiring creativity saw him pushing boundaries as a musician, video director and designer throughout his life. He had recently returned to Thailand from Europe, where he had played a short but spectacular series of live shows as a member of Throbbing Gristle and in the newly formed trio X-TG with Cosey Fanni Tutti and Chris Carter.
Sleazy's visual art career included work as a member of the influential British design agency Hipgnosis, creating iconic record sleeve artwork in the 1970s for Led Zeppelin and Pink Floyd and, later, Factory Records. He took the first promo photographs of the Sex Pistols, created a highly controversial window display for Malcolm McLaren and Vivienne Westwood's clothing shop, SEX, and went on to design the logo of the hugely popular fashion company, BOY. In 1976 Sleazy met Cosey Fanni Tutti, Chris Carter and Genesis P-Orridge and together they formed electronic music provocateurs Throbbing Gristle and Industrial Records, creating one of the first independent record labels of the era and laying the foundation for a new genre of music. The band was infamously described in the Daily Mail by Tory MP Nicholas Fairbairn as "the wreckers of civilisation".
TG ceased operations in 1981, after which Sleazy formed Psychic TV with Genesis P-Orridge and they produced two albums. The second, Dreams Less Sweet included his future life partner Jhonn Balance as a member, with whom he went on to form Coil and to release an extensive body of work up until Jhonn's passing in 2004. Subsequently, Sleazy left the UK to live in Bangkok, Thailand and to continue his artistic and musical vision in the guise of The Threshold HouseBoys Choir and Soisong.
Following their original break-up, Throbbing Gristle's legacy steadily grew within the music and art world, leading to their reformation in 2004 and a series of sold-out performances, including in Tate Modern's Turbine Hall.
At the time of his death, Sleazy was in the midst of assembling what was to be Throbbing Gristle's next project: a cover version of Nico's Desertshore album.
Sleazy was a kind and beautiful soul. No words can express how much he will be missed.
Throbbing Gristle / X-TG
Cosey Fanni Tutti & Chris Carter
Memorial Day 25th November 2011
In memory of our dearest Sleazy who departed this world a year ago, we will be remembering him with deepest love by playing his wonderful music and enjoying the many crazy, fond and funny memories we have of his extraordinary uniqueness. If you feel so moved to do the same then please join us in your own way.
Blessed be Sleazy
(Last updated April 2017)
”INDUSTRIAL MUSIC FOR INDUSTRIAL PEOPLE” - Monte Cazzaza, 1977.